RAY LAROSE|MINIATURES
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Every miniature I have painted, with the paints and the steps to paint it again.
Paint Schemes
How I painted each model: the exact paints, the order they went on, and the finish they gave.
What the technique words mean
- basecoat
- The first solid colour over primer. Two thin coats beat one thick one.
- highlight
- A lighter colour on the parts that would catch the light.
- layer
- A slightly lighter colour over part of the coat below, leaving its edges showing.
- wash
- Thin, watery paint that runs into the recesses and shades the whole area at once.
- edge
- A highlight along a sharp edge only, painted with the side of the brush.
- shade
- Darker paint placed deliberately in the shadows rather than left to flow.
- glaze
- Heavily thinned paint over dry paint, to tint it and soften the join between two colours.
- stipple
- Dabbed on with the tip of the brush for a broken, rough, mottled surface.
- drybrush
- Almost-dry paint dragged across raised texture so it catches only the high points.
- blend
- Two colours worked into each other while both are wet, so there is no visible line.
- special
- Anything that is not one of the above. The step note says what it is.
Recipes
Methods I reuse across models - skin, metal, armour, cloth and the rest. Each step is one named paint, one technique and a note. Unless a step says otherwise, every recipe here starts on a primed model - the scheme that uses it usually says which colour.
What the technique words mean
- basecoat
- The first solid colour over primer. Two thin coats beat one thick one.
- highlight
- A lighter colour on the parts that would catch the light.
- layer
- A slightly lighter colour over part of the coat below, leaving its edges showing.
- wash
- Thin, watery paint that runs into the recesses and shades the whole area at once.
- edge
- A highlight along a sharp edge only, painted with the side of the brush.
- shade
- Darker paint placed deliberately in the shadows rather than left to flow.
- glaze
- Heavily thinned paint over dry paint, to tint it and soften the join between two colours.
- stipple
- Dabbed on with the tip of the brush for a broken, rough, mottled surface.
- drybrush
- Almost-dry paint dragged across raised texture so it catches only the high points.
- blend
- Two colours worked into each other while both are wet, so there is no visible line.
- special
- Anything that is not one of the above. The step note says what it is.
- 1basecoatLeather Brown (72.040)VallejoBase horns / teethArtis Opus Series S 1
- 2shadeEarth (72.062)Vallejo + Lahmian MediumCitadel (1:2)Wash into basesArtis Opus Series S 1
- 3shadeRhinox HideCitadelRecess shade, lines base of horn / base + edges of teethArtis Opus Series S 1
- 4highlightUshabti BoneCitadelThin lines to tipArtis Opus Series S 00
- 5highlightIvoryPro AcrylTip highlight - thinnest lineArtis Opus Series S 00
- 6highlightBold Titanium WhitePro AcrylTiniest tip (optional)Artis Opus Series S 00
Paint Inventory
The paints I actually own - every pot on my shelf, not a catalogue of what exists. This is what the schemes and recipes are painted with.
| Paint | Brand | Type | Hue | Used in |
|---|
Paint Conversion Chart
Citadel colours matched to their closest Vallejo, Pro Acryl and Two Thin Coats equivalents, by eye, over time. Nothing here is a measured colour match - the dots say how close each one really is.
How close the match is: near identical usable avoid
| Citadel | Vallejo | Pro Acryl | Two Thin Coats |
|---|